Art dealers and gallery holders are sometimes strange to understand.
The last book I've read on this is kind of fascinating in a way.
Their jobs are to discover and promote talent. Then, there is many ways of doing it.
Anne Martin-Fugier chose French gallerists to interview. It is not really the choice of the dealers that matters but some of their way of thinking the business and mostly how they consider themselves. Mr Emmanuel Perrotin is one of the best exemples of the self-proclaimed best "art agent".
For Mrs Martin-Fugier, some galleries might be closed to her as many Parisian directors are quite not happy about their absence in her book. Some told me so pretty clearly.
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