Elias
Crespin is an amazing artist. This Venezuelan kinetic sculptor knows how to
transcend movement with incredible lightness. “Kinetik” at Foundation Peter
Stämpfli in Sitges and the amazing work at Denise Rene Paris left bank gallery
are signs of these.
He shares
his Atelier in the suburb of Paris with Miguel Chevalier, a pioneer in video
and electronic art. I met Miguel in Mexico where he is working on a huge
project for the Opera of Mexico City. He is a nice guy aswell.
My question
is why Miguel Chevalier was not shown in “Dynamo” at the Grand Palais in Paris
and Sitges. Dynamo was a big group exhibition from the origin of Kitetism and
movement to now. I learned from the nice
and tiny Parisian Art World that Serge Lemoine, a great curator, chose Crespin
on Chevalier. Their works together would have brought a lot to these shows .
The viewers have clearly missed
something.
I didn’t
express myself with Elias or Miguel about it. They are of course not part of
the political plot. Being an artist is already too “challenging”.
Even Serge
Lemoine who curated a lot of great exhibitions is not the only one responsible.
Too much pressure in this system!
But, at least, Mister Lemoine is not in this
rat race for being a curator under 40’s as we see this need for young blood to
feed the system.

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